I don’t know the question,
but sex is definitely
Inspiration for my work comes from a variety of art, friends, fans of this blog, as well as the women I photograph who share their enthusiasms. A surprise gift that warmed my winter is this delightful book that celebrates sex as a powerful creative force. Dr. Ruth Wertheimer’s The Art of Arousal is a collaboration between a serious art historian and a woman who was converted to the religion of art late in life, proving to herself that there is no deadline for pursuing new directions.
Among the features in the book is a favorite painting, Jean Auguste Dominique Ingres’ Odalisque with Slave. Of all Odalisques, I love this for her relaxed and carefree abandon.
Like me, 18th century French painter Jean Honore Fragonard sought to indulge his client’s whims and fantasies. When the baron de Saint Julien commissioned him for a painting of his mistress: “I should like to have you paint Madame on a swing. You will place me in such a way that I would see the legs of this lovely girl.” Fragonard responded, “Ah! Monsieur, it is necessary to add to the essential idea of your picture by making Madame’s shoes fly into the air.”
The mere sight of a décolletage, the nape of a neck, the curve of a woman’s back can give intense and satisfying pleasure. In Admiration, Degas lends humor to the ridiculous positions a voyeur doesn’t mind being in for a glimpse of his goddess of the moment.
Robert Colescott, a contemporary American artist, portrays himself as the great Henri Matisse painting The Dance. Colescott asks the viewer “What if Matisse were a black American and if Matisse’s models were thick of waist, long of leg and with shocking bleached blonde hair, would we consider them beautiful?”
William Wegman is a contemporary artist who dresses up his family of Weimaraners to photograph them in humorous situations, challenging our stereotypes of human behavior. This photo is named after Vladimir Nabokov’s Lolita. Posed as a slinky studio nude, with one leg coyly lifted to suggest s sultry modesty, she bares not one breast but eight. She knows, as does her master, that eroticism is largely in the mind of the beholder.
If my photography isn’t obvious yet, seduction and flirtation are my favorite pets: Longing fueled by chivalrous courtship and restraint. Imagination and playfulness used to stoke desire. Thoughtful creativity and surprise employed in the pursuit of one’s beloved. Today’s teens would do well to learn the art of conversation in creating an engaging intimate space amidst a crowd. But before you think I’m a prude…
Octave Lassaert’s lithograph Don’t Be Cruel! shows how intimacy provides a safe space for exploring fantasy–or as an exercise in empathy? Here, the woman makes an advance lifting his skirt while he implores her to take it easy.
Above all, I am a romantic so the business of kissing is my favorite subject, next to gazing into the partner’s eyes and tender touching– with clothes on! The Stolen Kiss painted by Margaret Gerard (Fragonard’s sister in law) tells the urgency of a moment when someone can walk into a situation that should not be.
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